KATSEYE’s “Internet Girl” is everywhere. In this episode, Chris and Chantel Nicole dig into the full release and ask: is this bold, self-aware pop genius... or a catchy concept that falls apart? Are we over the schtick?We break down the production, vocals, lyrics, and live mix, including that now-infamous baby voice moment and the performance rollout. Whether you’re here for the chaos or the commentary, we’re going all in.
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- 0:00 - Intro
- 0:41 - The Song
- 16:37 - The Choreography and Performance
- 23:07 - What do we want next for KATSEYE
References:
- “Internet Girl” Visualizer https://www.youtube.com/watch?v=5q9EjSUovc4&pp=ygUVa2F0c2V5ZSBpbnRlcm5ldCBnaXJs
- “Internet Girl” Live from the Beautiful Chaos Tour https://www.youtube.com/watch?v=GFE4FYlCftc
00:00:00 --> 00:00:11 It's all too much I fear I'm getting out of here It's Cat's Eye's song
00:00:12 --> 00:00:33 Is there a same? There's sticks getting old, I fear. Ooh, interesting. This is CCTV, the nonstop pop show, your favorite pop music podcast where we talk honest opinions. Yes. On all global pop music. Yes. We have done quite a few Cat's Eye episodes before. Mm-hmm.
00:00:33 --> 00:00:54 There's still one about Gnarly that's still one of our highest viewed every week, which is amazing. Thank you. So, of course, we had to talk about Internet Girl. So let's get into the Zikini song. It was released on January 2nd, and it has been taking over the Internet following their performance of Internet Girl on their Beautiful Chaos Tour. Yeah.
00:00:54 --> 00:01:14 And just like gnarly, Internet Girl has had a lot of mixed reactions. So let's get into the production, vocals, lyrics, and give our rating for Internet Girl. Is it good? Is it bad? Or maybe just a little gnarly? But viewer discretion is advised. Your fave will be criticized.
00:01:19 --> 00:01:30 So this song was done by Justin Tranter, Madman and Robin, Sean Wasabi, and Livy Franck. Okay, so Internet Girl. Okay, so you're not feeling it?
00:01:31 --> 00:01:52 Did I sound like I wasn't? I don't know. You said the schtick was getting old. Ooh. But here's the thing, right? I think the internet conversation has been like, is it getting old? Is it? It is. The reaction has been more negative for sure. Ooh. From what I've seen. Hmm. But the streaming numbers are still very high. Yes. So you are still listening, which is literally what the song is about. Oh. Oh.
00:01:52 --> 00:02:02 You can hate all you want. You're still listening. I hate to hear what the worst part is. Yeah, you're still here. Yeah, that's crazy. Are you guys living a meta experience and not realizing it? It's crazy.
00:02:03 --> 00:02:27 But yeah, I've been watching a lot of videos about the commentary about it. And I think the biggest issue, just to kind of get it out of the way, the biggest issue with a lot of people, maybe I'm wrong, is that it is just ridiculous. Like gnarly in terms of Sonics is really in your face. It's like, it's gritty. It's loud. It's just obnoxious as well. And you can totally do that. If you think about Slater,
00:02:27 --> 00:02:38 She has a song called Crank. That song is like wild. The way it sounds like you're on a motorcycle. She's like, crank it! She's yelling in it. So there is a way to produce that like hyper pop.
00:02:39 --> 00:02:58 like brat-y-ish party girl energy and still deliver a message. But I think in terms of this song, because there's an accumulation of just randomness, it comes across as irritating, especially after coming from Gnarly.
00:02:58 --> 00:03:22 you know um but for me i feel like this song without some of like the more like quote unquote outrageous parts and the zucchini-ness of it all it has an influence of 2000s i i love i think it's so interesting how i look at how it sounds um the synth is crunchy and the bass stutters and i love that it was like grungy um
00:03:22 --> 00:03:48 I think the eat zucchini line is like odd on purpose. And I mean, like people were saying like, it means like, you know, eat it or like suck it. But like, it's unnecessary to a certain extent. The song itself is not that, I don't think. I just feel like maybe just the word is just awkward and a little just ridiculous. And it just feels like dumb, for lack of a better word. Like there are other words that could be utilized. Like, wanna be me. You can't be me.
00:03:48 --> 00:04:03 Can you see me? It's really freaky. Can you read me? Like the emoji. If I was writing the song, it would still fit. It still fits a melodic thing. You can still do it. The pointing still works because you're still doing the, Can you see me? Like if I was writing it, right? Yeah.
00:04:03 --> 00:04:32 But it's for shock value at the end of the day. And I mean, so it's fine in the grand scheme. It's brain rot. It's a vocal stim. It's what got people talking. Yeah. And also the baby voice. People hated that. Yes. I would love to talk about the baby voice. Yeah. Because obviously, you know, they debuted the song live. And so the first version of the song that we heard, not only was it a live mix, right? Which that has also garnered a lot of talk as well. Yeah. But you had the girls each saying...
00:04:32 --> 00:04:55 I'm getting out of here. Yeah. And then I think the baby voice really threw people off. I mean, Melanie Martinez has it in one of her songs on the crybaby. It was like a fire drill. It's a sample from a splice or an arcade or something like that. Do you hate it? No. I think it works. Okay, so here's the thing. Why do you think it works?
00:04:56 --> 00:05:24 Here's the thing, right? If you have watched any of our previous Cat's Eye stuff, I have been saying the whole time, like, why is this the direction that they took the girls in? They are such good singers. Yeah. They are such good performers. And these songs are not doing their talent justice. Mm-hmm. However, I actually did go to the Beautiful Chaos Tour. Yeah. And I actually get it more now. Mm-hmm. Why so? You know, because I think...
00:05:26 --> 00:05:46 I think they've, this shtick, it does work. It's kind of like brattiness of it. And I think, and we'll go back to the baby voice in a second, but I think in general, I kind of like that these kind of, like, this is clearly gnarly part two in a way. Yeah. But I appreciate that it's not just stupid. Yeah.
00:05:47 --> 00:06:02 There's actually a thought behind it. There's a commentary that they're trying to make. Like there's self-awareness behind it. And I think that, and I think at least they seem to get that as well. Yeah. And I think that's where it,
00:06:03 --> 00:06:24 I think, um, makes sense for me. And having now seen, cause they literally had to perform every single thing they've ever done in existence on this tour because, you know, even like 10 songs, so you gotta fill it out. Yeah. And I was like, okay, they don't have that much material now, but this kind of sound only is part of what they do. Yeah. Yeah.
00:06:24 --> 00:06:53 You know, so as they grow, I'm kind of here for them doing this kind of like bratty song every once in a while. Every once in a while. Yeah, that makes sense. Yeah. Yeah. And like gnarly, you know, that came out a while ago. We got Gabriela since then. We got in Game Boy since then. Oh, yeah. Anyway, back to the baby voice. Mm-hmm. Given this whole context of this being commentary on internet culture. Yeah. And everything. It almost speaks to just how juvenile people are on the internet. Yeah.
00:06:54 --> 00:07:16 you know what i mean i mean because you can you can look at it two ways right if the if the influencer is the one saying i'm getting out of here but then they just like come back and keep making content because they are addicted to it and yeah they need the attention yes right regardless of whether it's good or bad they just want the attention so they don't really mean it when they say they're gonna leave some people do but very few do
00:07:16 --> 00:07:40 I'll be back. I'm taking, I'm doing a cleanse. Gone for a month. Actually, I'm back. Then you have the haters, right? That are like watching content and writing mean comments and saying, ew, like I'm never going to support you. I'm not going to watch your content. But guess what? Vomit. The next reel comes out. You're back. You're the first one there. Yeah. So I kind of am okay with it being this like weird baby voice. Mm-hmm.
00:07:40 --> 00:08:01 if it was thought of in this kind of commentary way. Yeah. I think the issue people thought was like PDF files. People thought it was a PDF file kind of vibe. It was like, why would you put a child in here? And I'm like, no offense, but the world was not. Everyone's mind wraps around children the way other people's do. So I can understand like the apprehension. When I listened to it, I didn't get that. I was just like,
00:08:02 --> 00:08:21 I teach children how to dance. They say random crap like this. You know, like I grabbed one of the kids and I was moving her around. I said, girl, I'm so sorry. I moved your position like five times. I grabbed her one more time and I saw her fold her fingers over her thumb. That means help. Help.
00:08:21 --> 00:08:50 Like, it's a sign for, like, distress. And I said, Nara, what you doing? She's like, I said, what are we doing? It was so funny because she just... But she's seen it on... Kids don't need this yet. You know what I'm saying? Yeah, yeah, yeah. Like, it's happened to me too. I've counted in Korean and put my thumb down. So I was like, oh my gosh, she needs help. I'm like, whoa, that's a... And sign language is different. But for her, she was like, or they'll be like, oh, what's that? Or they go, yikes, not the such and such or not the zucchini. So it's one of those things where I think...
00:08:51 --> 00:09:10 Kids are the most influential. Yeah, sure, if you want to go really, really deep. But the, I'm getting out of here. It's a vocal sample from a kid. Somebody recorded their kid, put it on the internet, and people use it. Yeah. You know? And I don't think the song is even alluding to children being...
00:09:10 --> 00:09:38 use in any kind of media in a weird way. No, I didn't think about it that way at all. Exactly, me either. So for people to be like, oh my God, they're using a children's voice. I can't stand it. No offense, but babe, your mind went so far left. Oh no, I really thought of it just as. I mean, like you just said, it's the kids that are addicted, the most addicted to, you know, the internet. Yeah, and they'll repeat it. I'm getting out of here. Like the kids will kind of love it. And this is a whole commentary on the whole thing. And I think with the zucchini thing, yeah.
00:09:38 --> 00:10:00 Sorry. I agree with you. I actually think that's my least favorite part of the song. Yeah. I don't think it actually hits as well as maybe they thought it would. Although at the same time, it works in the sense that people do refer to this as the zucchini song. I mean, zucchini green on my wall right now. Like, yeah. And so, you know, I guess in a marketing sense, you know, like this is the...
00:10:01 --> 00:10:18 It made sense. Listen, chopped, just salad, Pablo. But I almost wonder, because the way they also say that, but also the way they say it, eat zucchini. Like, it's not, I almost want it even brattier in a way. I almost, I don't know. I almost feel like you almost need to take it to that level if you're going to.
00:10:18 --> 00:10:43 Okay, so you're saying like in terms of vocal production, if you're going to sit there and say something that ridiculous, you better make it sound like... Yeah, you better just come in. Like, what the hell is that, Gaga? Eat zucchini. Yeah. Like, almost more like... You know? Yeah. Yeah, like a little kid would do it. As opposed to the way they do it where it's like this more nonchalant kind of almost breathy kind of thing. But if you think about the whole Nara Smith thing, I made the zucchini from scratch.
00:10:43 --> 00:11:04 Oh, yeah, that's, you know, so there's so many elements of it. But yeah, I was saying earlier, like this zucchini thing, that's kava, that's chopped, that's just salad, like it could still be used like Jollibee and gnarly like this. The zucchini thing could be used for any kind of. Sure. You know? Yeah. But sure. In terms of like all of that, it's brain rot. It's the it's the batterina cappuccino six, seven. And now we have zucchini babies. Yeah.
00:11:05 --> 00:11:31 what it is yeah yeah and then actually you know you mentioned the whole 2000s thing because i heard that too i hear it more with the live version because the live version has the kind of the rock drums and the guitars and stuff in there yeah i could hear like an ashley simpson i could hear an avril lavigne doing this and if they were to do this they would do it with that kind of more yeah yeah exactly yeah yeah yeah yes and even with the way they sing it because even with the way they they sing this now
00:11:31 --> 00:11:42 haven't you heard it's very kind of there is a there is a brattiness to it but it's it's relatively subtle yeah yeah if Ashley or Avril did it they would
00:11:42 --> 00:12:08 be more like yes about it if you guys think like a little bit of a reference like that's a single i think lala um lala or like girlfriend hey hey you you yeah or even um what's ashley's song she's like i moved i moved your i moved to your ex-boyfriend or like i knew something to your boyfriend boyfriend so she heard his boyfriend right yeah boyfriend was the same thing i mean you have elements of that like because you have them the chance some of the chance in the back like
00:12:08 --> 00:12:36 what's the word? What's the word? Like you have a little bit of that. I almost would have taken it up another level. Yeah. Just to hear, just to hear what it would sound like. I think it would be interesting. Go for that punk pop princess thing. It would have been so fun. I think for this one. No, I think that would be interesting. And honestly, they could, they should just release the, the live mix. Called rock mix or band mix or whatever you want to call it. Like, yeah, it does add to that brattiness. You know, it's a different type of brattiness that Gnarly had, you know?
00:12:36 --> 00:12:58 You know, the tough thing I think is that the egg somehow came before the chicken. Right. Like, think about it. We usually hear live versions go, put this on something after the song's been out. We've got an album or something in this case. But the egg was just like and somehow the chicken spread was, oh, this is my egg. And it's just like, no, no, no, no. We like the egg better. So I feel kind of bad. And that's something like, dang, you can't really put it.
00:12:58 --> 00:13:16 on streaming. You have to just listen to it the way it is. But that's what happens when you release an unreleased track and then you lean into the virality of it, but now it's already out. People are expecting this with a little bit more criticism comes, but then again, because the chicken came out, everyone's like,
00:13:16 --> 00:13:36 You've seen that video of that guy who's like, where's her mama at? Where's her mother? Where are the adults? Like, there's a guy, this baby, a kid was lost, basically. Is it the kid that's, like, breaking stuff from the supermarket? I think so. And the black guy was like, where is it? That's what's happening with this song. It's like, what is this version? I like the live version. Goes to watch it.
00:13:36 --> 00:13:57 Yeah. And now look at the live version. It has millions and millions of views. Exactly. It's like this weird, like, kiss me. I don't think they planned it so perfectly. I don't think it was the case. But now everyone's like, I don't like the zucchini sound. It's stupid. There's a kid in it. There's a kid in it. When we've heard the live version, it's been Megan and I think Sophia's. I think a few of them do it. I think, yeah. Exactly. Even more of them. So then it's just like...
00:13:57 --> 00:14:11 I don't think they do it on purpose, but honey, it's just beautiful. It's beautiful. That's pop perfection in terms of promotion. Marketing, yeah, for sure. Yeah, marketing, spinning. You know, I'm a good spin queen, honey. I'm like Olivia Pope. We've had conversations. Yeah.
00:14:12 --> 00:14:35 But yeah, I don't know. I think in general, it's so interesting because I actually like the song more than Gnarly. Oh, interesting. I thought it was more of style. Because I feel like it still has that ridiculousness that you mentioned, but it's just a bit more approachable as a pop song. Mm-hmm. I think it fits more like your sentiment, like your sensibilities in terms of what you like sonically. Yeah, yeah.
00:14:35 --> 00:15:01 Interesting. Yeah. And so I don't know. I think it actually makes sense as a progression from Gnarly. So I'm actually surprised it's gotten some of the negative reaction that it has. However, as we remember, Gnarly, when it first came out, it was all negative pretty much. And now look at it now. You know? Yeah. Oh, my God. My kids will not shut up. When I saw them do it, I'm like, are you doing cat's idea? Yeah. And they started doing this. Internet girl. And they started doing the Gabriella arms.
00:15:01 --> 00:15:22 Yeah. So, I mean, this is... Overall, the lyrics and the commentary about the internet being overstimulating but irresistible for everyone, relatable. Yes. It's tongue-in-cheek as well. The lyrics are so tongue-in-cheek. But that's the thing about people not listening to music for the sake of actually listening to the lyrics and only waiting for the chorus and waiting for dance moves, which we won't get into. You're missing this whole, like...
00:15:22 --> 00:15:49 Very layer. Yeah. Layer. The melody is actually not bad. Oh my God. Of the verses. Totally. I was like, cool. It's catchy. What's the word? What's the word? I'm the internet girl. Yeah. Yeah. No, honestly, it gets stuck in my head. Oh, won't you? Oh, won't you? Like, it's good in that sense. It is some moments where you're like, oh, it's kind of stupid. But whatever. Yeah. The girl have their sound for this era and it's crunchy. It is...
00:15:49 --> 00:16:02 bratty but not like we're not saying charlie xcx brat we mean like oh my god i want this i want that and like what what is this that's ugly like it we're talking about that kind of bratty and it's in your face i love the rock vibe that is actually in the
00:16:02 --> 00:16:31 Studio version. Studio version as well. So I think, not bad, not bad, not bad. Before we talk about the choreography. Oh, yes. If you've made it this far, you're clearly enjoying us. So you should also follow us everywhere at CCTV Pops. That's CCTV P-O-P-S. And if you want to support the show, hang out with us on Filtered, join the CCTV crew for exclusive live sessions and the ability to pick future episode topics, you can come to Patreon.com slash CCTV Pops.
00:16:32 --> 00:16:45 Okay, let's get back into it. So we're talking about the zucchini choreography. The choreography. Zochography? Zochography. Zochography. Don't like it. Okay, we'll figure it out. We're workshopped.
00:16:47 --> 00:17:10 Okay, so you went to go see this live. I did. Now, when you were watching it, what were your thoughts on the choreography, the whole performance? We know that they can perform, but something about this song isn't as wild as gnarly. Like, gnarly moves. Gabriella, everything freaking moves. Everything moves. But this one feels a little bit more like,
00:17:10 --> 00:17:39 It's about this. It's about face. It's about these little hand moments. Yes. Yes. I appreciate it because they actually could stop and sing a little bit. You can actually sing live well while you're doing this dance, a lot of it. Yeah. And it relied on a lot of pictures. There's a lot of little pauses and stuff in it, which I appreciated. But yeah, the song just has a great energy to it. First off.
00:17:39 --> 00:18:03 all the fans already knew it which was amazing to see oh well that was that was awesome that's cool yeah having now watched the live video quite a few times there's a lot of cool moments in it i love the little keyboard oh yeah the keyboard's cute all throughout yeah of course there's the emoji all the slap machine expressions i love that i love that too i do love the little hand as a mouth that they're like petting
00:18:03 --> 00:18:26 That's hilarious. Or slapping. I don't know. Maybe both. Yeah. It's all just very smart. It just, the musicality is so, so good. Mm-hmm. And yeah, it actually allows them to breathe a little bit and actually perform. Like some of the facial expressions, you know, I think I've said in the past that sometimes the facial expressions feel a little too staged. Mm-hmm.
00:18:26 --> 00:18:48 Like, especially with Gnarly, I think, actually. Oh, yeah. You know, they're trying to like do the most. Right. I think with this one, they can be a little bit more playful. It might still be like fully, fully planned with them. Right. But I think just because the song is the way it is, it just feels a little more playful. Yeah. So, yeah, I think this went over so well.
00:18:48 --> 00:19:08 Yes. Yeah. I think, I agree with that. I think at this point we know that they can dance and I can sit here and be like, but is the song good on its own? But they are crafted to be performers. They have to do like the big dance moves. They have to do the backing track while they're singing and blah, blah, blah. But from the videos I've seen, I've heard their voice. I mean, some of it needed to be tuned because they're like, they're having to
00:19:08 --> 00:19:38 almost built a song that when it's recorded it's like haven't you heard it's a little bit breathy but haven't you it's a different kind of approach when you're freaking singing on stage i like commend them from being able to go between the the moving and the clicking and the fast and then you know and then moving your torso so much while you're trying to sing like that is literally where everything tighten your core i can't use your diaphragm
00:19:38 --> 00:20:02 well yeah the emoji little slot machine moment love the zucchini point dance um again all of my students know it it's so funny um i was just like what the heck i don't know that dance like i love cats i'm like jesus have mercy go off though i think kind of what you were saying though i think that the downside to the dance being so good is i can
00:20:02 --> 00:20:28 It almost takes away from the song itself. Because I feel like you can't disconnect the two. And a lot of people will... And this goes for a lot of K-pop now anyway. But you only listen to the song because you like the choreography. And then you remember in your body. So your body wants to do it. You engage with it. I know, I get it. But that is for another conversation. Because I do feel that way. I feel like at a certain point in time, a lot of people like to say like...
00:20:28 --> 00:20:50 when like K-pop idols come to America and the cameraman doesn't follow them. No, no baby girl. The choreography and the performance should stand alone. That camera should be in one spot and they better work it. But then the stuff ends up being super awkward because they're so used to, okay, camera A, camera B, y'all didn't think to change the performance and just perform it flat and just go the F off?
00:20:50 --> 00:21:12 Like, can you, we both have been in dance teams. I do music and I've been in music videos. Can you imagine me performing? Well, because there isn't a side camera and because we're like not doing takes, I can't do it properly the first. No, no. It's a live show, girl. Perform it. Go all the way through. But yeah, hopefully if they get to a point where they are...
00:21:12 --> 00:21:31 not dancing so much. The songs do get better. Cause I don't think the song is bad, but if they didn't have a dance, would y'all like it? Cause y'all already don't like it. Some of y'all already don't like it. So that's a good point. Yeah. But it's tough when you kind of built this paradigm of performance. So it's like, yeah,
00:21:31 --> 00:21:51 It's true. Yeah. So, all that being said, though, no hate to the girls. I think when people mistake criticism of, like, a Sonic or, like, a performance or, like, an overall package, the product is a criticism of the girls. And if you took it that way, do better. No one's insulting these girls. They're amazing.
00:21:51 --> 00:22:09 yeah but yeah so that being said what do you rate zucchini song internet girl i actually like it like i honestly like i actually think for the concept of it all i think they did a good job with it and each time i hear it there's actually really cool things in the production um i will give it a nine
00:22:09 --> 00:22:33 Oh, a 99. Okay, I'll give it... Maybe I'll give it an 8.5 because I feel like it just kept repeating the chorus after a while and I was like, okay, girl, give me something else. Give me a bridge. But I think that also speaks to the cyclical aspect of the internet and how people just keep coming back. I know, but it was killing me because I was like, dang. But there's a build to it. Okay, there is. Yeah. There is. But each time it comes around is a little different. New backing vocals, some new synths in there, layers.
00:22:34 --> 00:22:55 Hang on. Who is this man in front of me? Because we were talking about Gnarly. He was like, yeah, no, no, no, no. And I was like, no, you got to like, I was, I was playing Abba Gabba. I was playing lawyer. And then he's like, no, no, you gotta, you gotta really just sit with it. Oh, beautiful. Look at this man. Gross in the ear. I'm joking. Not that you needed to grow, but that's so funny. Not me defending a cat's eye song. I'm crying.
00:22:55 --> 00:23:06 I mean, we did do the album review as well. And honey, if you didn't like what we said here, you probably didn't go like what we said over there. But you should still check it out. Because we're the internet girls.
00:23:08 --> 00:23:32 All right. So what do we hope is next for Cat's Eye? Because there's obviously going to be a project before they hit Coachella, I assume. And Govball. And Govball. They just got announced. Yeah. Okay. So yeah, they need more material because yes, that show was great. But the fact that they had to do the Dream Academy songs and the Monster High song and the Gap commercial, it was like, wow, you guys really needed to fill the time.
00:23:32 --> 00:23:57 yeah so i'm excited for them to have more material yes yes i will take it back i will always advocate for these girls getting the songs that they can sing their faces off for because these songs are definitely not using them to their full ability yeah yeah again i'm kind of good with them once in a while bringing out a song like this but i do hope that
00:23:57 --> 00:24:18 we get some more vocal forward songs moving forward. This is where that K-pop thing gets in the way. Because if you think about any K-pop group, they have a sound that sounds like, they have a song that sounds like that last song, that sounds like that last song, that kind of sounds like that last song, but we just switched to the concept. We're talking about love now. We're still talking about love, but we're talking about a bloody love. And now it's not just a bloody love, it's a beautiful bloody love. And it's just after a while, you're like...
00:24:20 --> 00:24:40 But then they do it like a genre switch or they do something. You're like, oh, yeah, we were waiting for this, baby. We were waiting for this. So hopefully by second album, they'll figure it out. Because at this point, this is the third, not even third album. It's like second album. Well, they're both EPs. They're both EPs. First. Oh, yeah. I hope it's a full album next.
00:24:40 --> 00:25:02 Yeah, and that's going to be the real challenge, because I think what happens is... I mean, the fans are always going to support. The icons are always going to support. But I think in terms of Sonics, people are going to get old. It's going to get old real fast. Yeah. Like, K-pop is coming and going... Yeah, it's coming and going real fast, guys. And I'm not saying, like, we wish them bad luck or anything like that. But if they keep doing stuff like this, I don't know...
00:25:02 --> 00:25:29 If the market that they're trying to actually stay in, because they're not Korean, they're not making K-pop, is going to continue to feed into it. The only reason that people would feed into Katzai's whole brand is because they want y'all to buy tickets, not because it's like, oh my god, their music's so great. So like, after Beautiful Chaos, I'm going to need something. Because the girls are so talented. And if Lara does not get a freaking producer credit, I'm going to scream.
00:25:30 --> 00:25:48 Because she could, everyone's really talented, but I just know she was, like, producing as well. Yeah. But, yeah, and I think it's at this point where it's, like, you guys have to, they might say you guys are in the company, because Cat's Eye kind of just, like, cogs in the machine in that sense. But, like, they really are going to need something that's, like, not amazing, but just not these two songs.
00:25:48 --> 00:26:12 You got it. Give us an acoustic internet, girl. We're ready. I'll let you hear me. Eat zucchini. Yeah, right? Eat zucchini. The harmonies. Eat zucchini. Eat zucchini. Eat zucchini. Eat zucchini. Eat zucchini. Eat zucchini.
00:26:12 --> 00:26:31 I will say, maybe this is just my algorithm. I have been seeing a lot of, I need cat side to do this. Or I miss when girl groups would do this. And it was mostly little mix videos of them just like belting their faces off. If they're not careful, girls that might do it. So other people agree with me here. No, if they're not careful though, girls that might do it.
00:26:31 --> 00:26:58 Ooh. This is not me trying to start drama, but if Girl Set sticks with that R&B, like, Little Miss was not bad. It was not bad. Yeah. You cannot put this together. Thomas was like, okay, all right. But Little Miss? Tony. Ooh. Yeah. I guess it's not about competition, like, oh, putting them against each other. But in terms of Sonics, if they corner that harmonic R&B girly pop moment, they're...
00:26:59 --> 00:27:18 Internet girl might have to stay internet girl for a bit just to kind of differentiate because there's so many harmonic groups, you know, flow, say now. Now there's a girl group called XO that's from the U.S. It's like there's a lot of girls doing that, you know, R&B harmony thing. It's like...
00:27:18 --> 00:27:32 I love cats. I do enjoy them. I'm so excited to see what they're going to do next. I just do believe that they should be given some power in their Sonics. Because if you don't trust that your product is good, why did you put it out?
00:27:32 --> 00:27:56 Yeah, that's true. If I was an executive at this point, they are almost infallible. They're untouchable. Use that moment this time now while they're like untouchable to let them touch the music. I mean, we both came from labels. We know it's not that easy. We get it. But can you imagine if it's like good? Yeah. Give them a chance. Give them a chance. That's all I'm saying. Give Katzai a chance.
00:27:56 --> 00:28:25 super different all right so icons what do you all think of internet girl what do you think of baby voice let us know in the comments and also tell us what other artists or albums you want us to review on the show big shout out to our cctv crew on patreon we have lily emily george julianne jonathan janelle jasmine darius wren jesse hillary ellie luke and phoenix we could not do this without you thank you all so much and you can also be a part of the crew
00:28:25 --> 00:28:48 at patreon.com slash cctvpops. You can also follow us everywhere on all socials at cctvpops. If you're on YouTube, like, subscribe, turn notifications. If you're on a podcast app, follow. Give us a rating. All really helps us grow. Until next time, that's Chantel. That's Chris. And we're signing off from CCTV, the nonstop pop show. We're getting out of here.